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TOSHI REAGON QUARTET
FRIDAY, JUNE 25 • 8 PM
WEST END CULTURAL CENTRE
$25 adv./$28 door
In some ways, singer Toshi Reagon is a throwback to classic R&B artists, like Stevie Wonder or Prince, or an old-school rock group like Led Zeppelin; she can take any style, update it, and make it her own with incredible ease. Despite (or because of) her genre-bending, Toshi fits comfortably on a stage at Carnegie Hall, or in a dirty rock club. Toshi is an artist who is known for energetic performances and an exemplary gift for writing engaging songs that provoke listeners to think and have fun at the same time.
A seasoned live performer, Toshi jumped into the spotlight when she dropped out of college after Lenny Kravitz tapped her to open for him on his first world tour. And Toshi hasn’t stopped earning the respect of musicians, the praise of critics, and the love of fans since then. Just ask Elvis Costello, who was hooked after one high-energy evening in NYC—he even invited Toshi and her band, Big Lovely, to back him up on a Late Show with David Letterman appearance.
Born in Atlanta and raised in Washington DC, Reagon cites her musical abilities from her family. Both parents belonged to SNCC’s (Student Non-Violent Coordinating Committee) The Freedom Singers, a folk group that sprang from the Civil Rights movement and toured the country to teach people about civil rights through song. Bernice Johnson Reagon is not only Toshi’s mom but the founder of the world-renowned a capella ensemble Sweet Honey In The Rock (she retired in 2004 after 30 years with the group). Toshi and her mom have collaborated on many projects together, including co-producing many of Sweet Honey’s recordings.
Her rich musical heritage led her to become saturated in many traditional styles, feeding her desire to explore a range of music from blues to rock. Toshi says that she attempts to “take whatever I’m really into and try to learn it and put it into music.” This trait results in a musical style that not only transcends classification, but also expresses a political consciousness that is as ingrained in her music as the multiple genres she embraces.
